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Ever since the term "crowdsourcing" was coined in 2006 by Wired writer Jeff Howe, group activities ranging from the creation of the Oxford English Dictionary to the choosing of new colors for M&Ms have been labeled with this most buzz-generating of media buzzwords. In this accessible but authoritative account, grounded in the empirical literature, Daren Brabham explains what crowdsourcing is, what it is not, and how it works. Crowdsourcing, Brabham tells us, is an online, distributed problem solving and production model that leverages the collective intelligence of online communities for specific purposes set forth by a crowdsourcing organization -- corporate, government, or volunteer. Uniquely, it combines a bottom-up, open, creative process with top-down organizational goals. Crowdsourcing is not open source production, which lacks the top-down component; it is not a market research survey that offers participants a short list of choices; and it is qualitatively different from predigital open innovation and collaborative production processes, which lacked the speed, reach, rich capability, and lowered barriers to entry enabled by the Internet. Brabham describes the intellectual roots of the idea of crowdsourcing in such concepts as collective intelligence, the wisdom of crowds, and distributed computing. He surveys the major issues in crowdsourcing, including crowd motivation, the misconception of the amateur participant, crowdfunding, and the danger of "crowdsploitation" of volunteer labor, citing real-world examples from Threadless, InnoCentive, and other organizations. And he considers the future of crowdsourcing in both theory and practice, describing its possible roles in journalism, governance, national security, and science and health.

• Sales Rank: #955942 in Books
• Published on: 2013-05-10
• Original language: English
• Number of items: 1
• Dimensions: 7.00" h x .50" w x 5.00" l, .40 pounds
• Binding: Paperback
• 168 pages

From Booklist
The term crowdsourcing, coined by Wired magazine editor Jeff Howe in 2006, has been used for everything from Wikipedia entries to choosing new colors for M&Ms. Even now that scholars have begun researching crowdsourcing, it still has varying definitions because it operates across various disciplines. Brabham eliminates the confusion with this highly accessible and authoritative book. He defines the term as “online communities coming together to solve problems for a mutual benefit that could not be achieved without their collaboration.” What distinguishes crowdsourcing from other similar efforts is the bottom-up creative process and top-down organizational goals. Brabham traces the growth of participatory culture, collective intelligence, and the wisdom of crowds on the Internet. He details examples of crowdsourcing, including Threadless in merchandising, InnoCentive in scientific research, and SeeClickFix for municipal services. He examines the implications of crowdsourcing for journalism, business, government, and labor as some worry that it invites exploitation and challenges amateurism and professionalism. This is an insightful resource for readers curious about trends in work and computing. --Vanessa Bush

Review

By spending a few hours reading Crowdsourcing, one can develop a solid understanding of crowdsourcing's origin, its current status and its future applications and potential research paths, making the book well worth its price.

(Genetic Programming and Evolvable Machines)

For me -- as someone infinitely interested in online human and computer interaction -- Crowdsourcing is an essential addition to the body of knowledge in this field.

(Angela Anima-Korang International Journal of Communication)

About the Author

Daren C. Brabham is Assistant Professor in the Annenberg School for Communication and Journalism at the University of Southern California.

Most helpful customer reviews

3 of 4 people found the following review helpful.
CROWDSOURCING: The eBook
By WMcClungBerkeley
This is a good, compact, inexpensive book on a significant and dynamic subject. I read it in the context of a mini-crowdsourcing discussion of whether we need an eBook review medium for new academic books. I'm thinking that such a review medium already exists on this Amazon site, though I'm not sure it meets Brabham's rather restricted definition of crowdsourcing, which oddly excludes Wikipedia, for example.

I purchased my eBook copy through my Kobo account with University Press Books/Berkeley for $9.89. Our bookstore earns $.98 on my purchase, which is helpful to an at-risk bookstore. I could have bought the Kindle version for $6.82, or directly from MIT Press for $8.95.

0 of 0 people found the following review helpful.
Concise Analysis of Crowdsourcing
By Andrew Everett
Daren Brabham defines crowdsourcing as “an online, distributed problem-solving and production model that leverages the collective intelligence of online communities to serve specific organizational goal.” He emphasizes that “the locus of control regarding the creative production of goods and ideas exists between the organization and the public, a shared process of bottom-up, open creation by the crowd and top-down management by those charged with serving an organization’s strategic interests.”

Threadless is a T-shirt company which uses crowdsourcing for product ideas. Doritos sponsors a contest where crowd members develop TV ads for the brand; the winner is aired during the Super Bowl. Peer-to-Patent was a pilot project in which the crowd reviewed patent applications to help the US Patent and Trademark Office identify “prior art.”

A benefit of crowdsourcing is that “outsiders can bring fresh insights to internal problems… A statistical analysis of the InnoCentive service… found that the Solver community was able to solve 29 percent of the problems that the Seekers—all large companies with internal labs and researchers—posted after they were unable to solve these problems internally. Moreover… Solvers on the margins of a disciplinary domain—outsiders to a give problem’s domain of specialty—performed better at solving the problem.”

Another benefit of crowdsourcing is that it can reduce risk. Threadless T-shirt designs and Doritos’ Super Bowl ad use a “peer-vetted creative-production approach… Because the crowd is the eventual user of the product, media content, or space, they are empowered to select the best ideas.”

The author writes about what motivates people to participate in crowdsourcing. Managerial commitment is important. In other words, the community members must feel confident their efforts are taken seriously by the organization. Additionally, Brabham writes about intrinsic motivators (e.g. enjoyment) and extrinsic motivators (e.g. financial rewards). The findings seem to vary depending on the community. “A study on Amazon Mechanical Turk… found that intrinsic motivators generate a higher quality of work from crowds than extrinsic motivators did… many of the most active Turkers average only $2 per hour.” Conversely, “at iStockphoto.com, a stock photography and illustration outsourcing company, I found that the opportunity to earn money and the opportunity to develop one’s creative skills trumped the desire to network with friends and other creative people and outranked other altruistic motivations.”

Brabham’s definition of crowdsourcing excludes endeavors where the “locus of control” lies within either the community or the organization, rather than in between. “In Wikipedia or open-source software projects, the crowd is self-governing and provides its own strategic goals, and the organization is merely incidental to the work of the crowd.” In a campaign where consumers are invited to vote for the next flavor, control resides with the marketer and “the crowd becomes a mere pawn in the organization’s overall goals.” Crowdfunding also does not fit the definition.

In the last chapter Brabham speculates on future trends in crowdsourcing.

3 of 5 people found the following review helpful.
Contradicts other authorities on the subject and mostly rehashes other people's works.
By My wife won't let me pick a name.
Although there is some very good information in this book, it is mostly covered in other books that came before it like Jeff Howe's "Crowdsourcing" (with references to that book making up nearly a third of the content of this entire volume). Also, Brabham redefines crowdsourcing in a number of ways that virtually no one else accepts. By his definition, Wikipedia - the crowning achievement of crowdsourcing efforts - is not actually crowdsourcing because it wasn't organized with hierarchical leadership. Even though I like his limiting crowdsourcing to online activities, the definition continues to go against the definition used by most people and by the person who invented the word (see Howe's work for more on that since he coined the term). If you really want to read something good on crowdsourcing, I recommend Wikinomics.

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Here's a great guide to American business language and practices for business people who speak English as a second language. It covers all major areas of business survival. Practical language for telephone protocol, sales, business meetings, travel, and social etiquette are discussed.

• Sales Rank: #3358279 in Books
• Published on: 1999-07-01
• Original language: English
• Number of items: 1
• Dimensions: 9.94" h x 1.00" w x 7.00" l, .90 pounds
• Binding: Paperback
• 312 pages

Most helpful customer reviews

18 of 18 people found the following review helpful.
Limited value
By J Lee Harshbarger
I am an ESL teacher who bought this book for use in private lessons with a businessman who was in the USA temporarily. I was particularly attracted to the line on the front cover that says, "Enclosed cassettes let you hear business English as it is spoken in true-to-life situations." I consider that statement to be a flat-out lie. The cassette tapes have the most unnatural, scripted "conversations" that even my student recognized as being unnatural. As a way to be able to prepare oneself for business settings, the tapes are worth next to nothing.

I have given this book a generous rating of two stars because it does have some value for someone who can read well (the book has a lot of reading) and wants to familiarize themselves with some business terms in English, if all they've had is academic or regular classroom English.

This is designed as a self-learning book, so it doesn't work well in a tutoring or classroom situation. Unfortunately, business books that don't focus on business writing are scarce in ESL, so there isn't much to choose from, thus some English learners may find some value in this.

14 of 15 people found the following review helpful.
A Difficult Way to Learn Business English
By A Customer
On the positive side, "Let's Speak Business English" is a concise phrasebook for the business English student. However, the language is often unnatural and the exercises provide very little practice for effectively learning the expressions.

11 of 12 people found the following review helpful.
We need books on CD
By A Customer
We need this kind of stuff on CD and easy to use, for example: like American Accent Training. with track number in each CD we can do each exercise, again and again.

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[T586.Ebook] Get Free Ebook Essentials of Pulping and Papermaking, by Christopher J. Biermann

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Essentials of Pulping and Papermaking is designed to serve as a new educational tool for pulp and paper science courses and as an extensive resource for industry professionals. In addition, it is a valuable as a much-needed guide to the vast pulp and paper literature, Rather than focus on the many types of equipment in use, the book emphasizes the principles of pulp and paper processes. Concepts are conveniently presented 'm the approximate order material follows as it flows through the pulp and paper until, with the book's first section covering fundamentals and later sections devoted to more advanced processes. Essentials of Pulping and Papermaking is an ideal text for professors who want their students to understand concepts rather than memorize facts. To facilitate such understanding, the book includes, a series of problems for student readers.

• Sales Rank: #1802457 in Books
• Published on: 1993-03
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 10.50" h x 7.25" w x 1.00" l,
• Binding: Hardcover
• 472 pages

Most helpful customer reviews

2 of 2 people found the following review helpful.
This book is out of print. See Handbook of Pulp. and Paper
By A Customer
I am somewhat biased for my review of 10. This book is out of print and has been replaced by Handbook of Pulping and Papermaking. The first 20 chapters of the second edition are unaltered except for some clarifications where necessary. The second edition adds about 300 pages on wet-end chemistry, colloid chemistry, printing processes, optical properties of paper, wood and fiber anatomy, and issues of processing and process control

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On the evening of October 30, 1938, radio listeners across the United States heard a startling report of a meteor strike in the New Jersey countryside. With sirens blaring in the background, announcers in the field described mysterious creatures, terrifying war machines, and thick clouds of poison gas moving toward New York City. As the invading force approached Manhattan, some listeners sat transfixed, while others ran to alert neighbors or to call the police. Some even fled their homes. But the hair-raising broadcast was not a real news bulletin-it was Orson Welles's adaptation of the H. G. Wells classic The War of the Worlds.
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• Sales Rank: #813059 in Books
• Published on: 2015-05-05
• Released on: 2015-05-05
• Original language: English
• Number of items: 1
• Dimensions: 9.24" h x 1.20" w x 6.37" l, .0 pounds
• Binding: Hardcover
• 352 pages

Review

“Intelligent and informative . . . Schwartz has access to materials . . . that no one has thoroughly studied before, and they allow him a carefully nuanced view.” ―Michael Wood, The New York Review of Books

“The night before Halloween, 1938, Welles and his staff perpetrated the most notorious hour of radio in the history of the medium . . . As A. Brad Schwartz shows . . . the audience was duped largely by the pacing . . . At the Welles archive at the University of Michigan, Schwartz studied more than a thousand letters related to The War of the Worlds . . . [He] concludes that rumors of all-out panic were fanned by print commentators who wished to ponder the gullibility of the masses and the unreliability of the radio medium―much as pundits fret over the Internet today.” ―Alex Ross, The New Yorker

“A winning mixture of history, biography, media criticism, and statistical analysis . . . [Broadcast Hysteria] is rich with context and often dryly humorous detail.” ―Jason Heller, NPR

“[A. Brad Schwartz's] well researched first book, which grew out of his honors thesis, challenges conventional wisdom. He also deftly places Welles's caper in the perspective of the time, when a real world war was looming, and the new medium of radio was enjoying a fleeting "Golden Age" as it simultaneously was experimenting with other dubious forms of journalism.” ―David Holahan, The Christian Science Monitor

“[Broadcast Hysteria] offers up many fresh details and, along the way, shows the many ways in which the whole [War of the Worlds] episode reverberates in our own time.” ―Richard J. Tofel, The Wall Street Journal

“An impeccable account of the most famous radio show in history, a fascinating biography of Orson Welles, and a vital lesson about the responsibility of the media.” ―Publishers Weekly (starred review)

“Groundbreaking . . . Fascinating as an analysis of both pop-culture and the media.” ―Booklist (starred review)

“Whether you're a cinephile or not, this is a book you'll be glad you read.” ―James Crossley, Bookriot

“An entertaining assessment of a watershed moment in American life and its lasting effect on popular culture.” ―Kirkus

“A gripping and informative look at the War of the World broadcast, as well as contemporary issues in the early 20th-century industry of radio.” ―Robin Chin Roemer, Library Journal

“Schwartz is a talented writer, and Broadcast Hysteria does an effective job of reminding readers that radio's intimate power in the 1930s is almost unimaginable in today's multiplatform media environment . . . the most robust account yet of audience reaction both to the broadcast and to the ensuing newspaper reports of panic . . . Schwartz's research is impressive and his findings are important.” ―Reason magazine

“This carefully researched new book reveals that the press, pundits, and academics got the story [of the broadcast] colossally wrong . . . . A. Brad Schwartz has evaluated more than a thousand letters written by Martian broadcast listeners to CBS, to the Federal Communications Commission, and to Welles himself. Schwartz is the first scholar to have read some of these letters . . . . [and] he comes to a startling conclusion: The hysteria was produced not by the audience, but by the press . . . . Schwartz is a graceful writer and a diligent historian.” ―The Weekly Standard

“If you think you know the story of Orson Welles and his Martian-invasion radio show, you're wrong-and A. Brad Schwartz is the perfect writer to set you straight, in this thoroughly engaging, superbly researched work.” ―Max Allan Collins, author of Road to Perdition and The War of the Worlds Murder

“Though the War of the Worlds broadcast has long been regarded as a singular event, it has lacked a historical study scaled to explore its many dimensions. A. Brad Schwartz has at last provided one. With a professional hand and an engaging style, Schwartz marshals unexplored archival evidence and synthesizes contentious debates to offer a fresh account of how the broadcast was conceived, experienced, aggrandized, and debunked, giving us fascinating portraits of everyone from Welles and his troupe to federal regulators, media researchers, and ordinary listeners. Capturing the sheer scope of the radio play and the thrill of its audience in an accessible way, this book will be an essential text for a long time to come.” ―Neil Verma, author of Theater of the Mind: Imagination, Aesthetics, and American Radio Drama

“Beautifully mirroring the ideals that guided Orson Welles's Mercury Theatre, A. Brad Schwartz has taken a well-known story from the past and told it with stunning originality. He excavates a crucial element missing from most previous accounts: the real people who listened in on October 30, 1938, to the news of a Martian invasion. Long derided as naive and gullible, or dismissed as insignificant in number, they emerge here as self-effacing, fearful, outraged, funny, and courageous-in other words, a lot like people today. Welles would be proud.” ―Mark Samels, executive producer, American Experience, PBS

“There was no mass panic on the night of October 30, 1938. Yet many still believe a radio drama featuring Martian invaders incited mobs of Americans to flee their homes. In Broadcast Hysteria, A. Brad Schwartz clarifies misconceptions and sets the record straight. In this well-written and meticulously researched work, Schwartz explains how a brilliant radio artist, an irresponsible press, and an overly ambitious social scientist combined to conjure one of the twentieth century's most enduring fables. The real story told here proves far more interesting than the myth.” ―Michael Socolow, associate professor of communication and journalism, University of Maine

“In this analytic tour de force, A. Brad Schwartz has assessed upward of two thousand letters-most available to researchers only recently-expressing every manner of opinion regarding Orson Welles's 'panic broadcast.' The result surpasses in comprehensiveness and insight all previous studies of this notorious media event.” ―Paul Heyer, author of The Medium and the Magician: Orson Welles, the Radio Years, 1934-1952

“A revealing and important reassessment of the most myth-encrusted radio program in American history.” ―W. Joseph Campbell, author of Getting It Wrong: Ten of the Greatest Misreported Stories in American Journalism

About the Author
A. Brad Schwartz co-wrote an episode of the award-winning PBS series American Experience on the War of the Worlds broadcast, based in part on research for his senior thesis at the University of Michigan at Ann Arbor. He lives in Ann Arbor.

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6 of 6 people found the following review helpful.
The Night That Panicked America; Or Not
By Rob Hardy
The radio broadcast on Halloween Eve 1938 of _War of the Worlds_ is the stuff of legend; it was, according to the title of one of several dramatizations of the event, _The Night That Panicked America_. The fake newscast about invading Martians, the stories go, led thousands of Americans to flee their homes, some heading to safer territory, some grabbing their guns to do battle. These are good stories, and in some cases they are close to truth, but they do not at all represent what actually happened. A. Brad Schwartz has studied the broadcast and its aftermath for years, doing his senior honors thesis on it and writing about it for PBS. Now his entertaining _Broadcast Hysteria: Orson Welles’s War of the Worlds and the Art of Fake News_ (Hill and Wang) gives fresh documentation of what really happened. The story isn’t as dramatic as the “panic” versions, but it is more interesting with its new details, and with some lessons for us residents of the twentieth century who get our fake news from sources more modern than radio plays.

The Mercury Theater radio shows were serious dramas broadcast by CBS, and serious listeners enjoyed them. Schwartz has drawn on letters listeners wrote to the FCC, CBS, and to Welles himself (some of these letters only recently resurfaced) to analyze what really happened as the broadcast progressed. There were people who panicked, but Schwartz explains, “These panicked scenes of flight and near flight, which turned _War of the Worlds_ into the stuff of American legend, did happen, but they were very, very rare.” There was no mass hysteria, no suicides, no potshots at a water tower that was mistaken for a towering Martian machine, and no highways clogged with cars. What did happen? Well, people listened to their radios - they either enjoyed the drama as good radio theater and a thrilling scary story, or they were scared out of their minds and wanted all the news immediately. There were about six million listeners to the show, and about a million thought there was a real emergency, but the sort of emergency was not clear. Some did think that Martians were coming, and others thought a comet had made a disastrous impact. Some tuning in the middle of the program could have gotten the impression that there was a natural disaster on the east coast, or some sort of invasion by human armies. They called each other to spread the stories, and they called the police, and they called the newspapers, but in almost every case, they did not panic. The general lack of panic wasn’t a good enough story for the press at the time. It was far more fun to spread the stories of people who hit the road to flee the Martians, and those are the stories that stuck.

That millions of Americans panicked on hearing the broadcast turned out to be fake news, thought of as real even by those who had skepticism enough about the broadcast itself. Schwartz shows that this made people fret about government involvement in broadcasting, weakening the FCC. The panic is still invoked by people worried about how manipulative broadcasters might be. There have been fake news TV shows, like _Special Bulletin_ (1983), which was about a terrorist attack on Charleston, South Carolina. These shows didn’t produce the scares that the Mercury Theater did; Schwartz rightly points out that one of the reasons is that the visual effects on television might be iffy, but the visual effects of radio are always convincing, because people imagine them for themselves. And we have had Jon Stewart, Stephen Colbert, and _The Onion_ to give us news that isn’t. Keep the airwaves open, is the lesson, and also: whether it be invading Martians, or Americans panicking in the streets: don’t believe everything you hear.

5 of 5 people found the following review helpful.
Excellent Book
By Robert Graul
Excellent book for anyone interested in this broadcast, broadcasting history or 1930's radio. The book gives excellent, in depth coverage of the subject. Some of the issues involved in the War of the Worlds broadcast are with us today, such as the power of the media, what should be the role of government with regards to the media and efforts of the media to police itself which can be worse than government regulation. A good point the book makes is that the hysteria was blown way out of proportion by the news media and much of the hysteria can be blamed on an ignorant, poorly informed public who ignored reports of a Martian invasion and thought the Germans had invaded or a natural disaster had occurred. Public ignorance is a problem today.

5 of 5 people found the following review helpful.
Fascinating analysis of probably the most famous radio broadcast
By Mark
Fascinating analysis of probably the most famous radio broadcast, exploring both the actual story behind the perceived mass hysteria in the US (a misinterpretation sadly still widely taught) and the importance of fake news for modern media consumption. Also simply a well-written book that's enjoyable to read.

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[L176.Ebook] Ebook Download A Digest of the History of Barron County [Wisconsin], by Ralph J. Hill

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• Sales Rank: #10861457 in Books
• Published on: 1968
• Binding: Paperback

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[Q780.Ebook] Ebook Free A World Full of Women, by Martha C. Ward, Monica D. Edelstein

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Takes a cross-cultural approach to the study of women
A World Full of Women, 6/e, combines descriptive ethnography, gender theory, and international statistics to present a comprehensive picture of the lives of women. Readers will better comprehend and contextualize women’s issues and experiences in today’s world. This title explores the diversity of women’s lives from class to culture, with examples ranging from women’s work to marriage patterns, health issues, violence against women, and grassroots organizing.

• Sales Rank: #475630 in eBooks
• Published on: 2015-10-14
• Released on: 2015-10-14
• Format: Kindle eBook

Review

“An accessible, personable, interesting introductory overview to the field of feminist anthropology. The familiar and friendly writing style opens students to thinking about difficult ideas, and challenging ideas, both at the emotional and intellectual levels.”

        - Diana Fox, Bridgewater State College

 

“. . . an entry-level, comprehensive text that covers a great number of topics that are of interest to professors and students interested in gender and anthropology. I was impressed by the range of examples and visuals used.”

        - Sharla Blank, Washburn University

 

“Thorough, user friendly, accessible”

        - Sarah Orndorff, George Washington University

 

“A World Full of Women is a good, graspable, engaging, text for a gender based class.”

        - Jessica Bodoh-Creed , California State University, Los Angeles

About the Author
MARTHA WARD was professor of Anthropology at the University of New Orleans for 42 years. Among other activities, she taught the first course in Women’s Studies and Gender in Louisiana.  She has survived the glass ceiling and academic politics, the Sexual Revolution, two marriages, Hurricane Katrina, and the intensities of motherhood ---among many similar experiences.  She has done fieldwork in and published her work in Micronesia, Tirol in the Austrian-Italian Alps, on the politics of reproduction in the United States, and on health care disparities for poor women.  The most recent project is a radical ethnographic and archival reconstruction of Voodoo in New Orleans, centering on the lives of its two famous practitioners, a mother and her daughter both named Marie Laveau.  Post-retirement she loves on her grandchildren and her looms where she weaves in honor of the work of women through time and space.
MONICA EDELSTEIN earned her Ph.D. in Anthropology from Tulane University in 2001. Her research includes an investigation of spirit possession practices among Ethiopian immigrants in Israel and gendered practices in Judaism. Before earning her Ph.D., she worked as a community organizer and AIDS and reproductive rights activist in Dallas and New Orleans. She has taught anthropology courses on gender, women, Africa, and Native North America for both Tulane and the University of New Orleans and works as an anthropology subject matter expert for Pearson’s textbook publications. She has collaborated on World Full of Women since the 4th edition.  She resides in New Orleans with her husband and two daughters.

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4 of 4 people found the following review helpful.
Academic text or personal expression?
By Gregory L Dyas
Though I enjoyed this book, I'm not sure most people are ready for Ward's obvious folding-in of her personal and political beliefs into this thorough work on the experiences of women.
Ward's writing on the work women do and on the wide variety of gender issues explained in the book is certainly interesting and edifying. However, her seemingly definitive pronouncements on political and social matters are at times given without explanation or evidence. In our changing world, some of the "truths" about male/female relationships in our society she takes as a matter of course are holding less and less water. Those familiar with issues in the anthropology of gender, while they may agree with her, will find places where evidence that supports her conclusions is amplified while that which doesn't is minimized or omitted.
Despite her conviction otherwise, I don't agree with her that it's possible to express one's personal opinion in such an otherwise academic context. Inevitably, one is cheapened by the other. That said, the book itself is quite interesting as a look into gender issues in anthropology and the viewpoints of both herself and other greats in the sub-field, like Mead & Benedict. Perhaps my wish though was simply for a more academically rigorous treatment.

0 of 0 people found the following review helpful.
Comprehensive!
By Lauren M. Moriarty
I was assigned this text for my first women's studies course and I couldn't have been happier with the professor's decision. Reading it was easy and interesting. The language used is simple, to the point and keeps the reader's attention. The concepts discussed are relevant, current and worth learning more about. I stepped away from this book having gained a different world view.

0 of 0 people found the following review helpful.
Well written and thoughtful.
By LeAnn M. Feeney
Lots of references to the work of Elizabeth Barber and connections to fabric. For someone with a textile background it provides even more "click" moments. Easily readable and packed with information it is a must read for anyone interested in the fields of Women's Studies and Anthropology.

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[I729.Ebook] PDF Download Enterprising Nonprofits: A Toolkit for Social Entrepreneurs, by J. Gregory Dees, Jed Emerson, Peter Economy

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• Sales Rank: #286628 in Books
• Brand: Association for Fundraising Professionals
• Published on: 2001-03-29
• Original language: English
• Number of items: 1
• Dimensions: 10.30" h x 1.24" w x 7.40" l, 1.71 pounds
• Binding: Hardcover
• 352 pages

Review
"...concise explanations..." (Oxfam Review of Journals)

From the Inside Flap
"If anything, social enterprises today are learning that the universe of possible opportunities for introducing entrepreneurial activity into their organizations is limited only by their imaginations."

The idea of social entrepreneurship is becoming increasingly popular. Many nonprofit leaders are initially drawn to this concept as they search for new ways to generate funds for their organizations. But once they delve deeper, they find that being entrepreneurial is about much more than funding. It involves operating your organization with a fresh mind-set and a set of management tools that can have powerful and positive effects on how you serve your mission. True social entrepreneurs are innovative and resourceful; they mix passion with businesslike discipline; they take risks but know how to manage them; they are mission-driven but market savvy; and they are intensely focused on creating sustainable social impact. Effective social entrepreneurship is hard work but absolutely crucial to the health of the communities in which we live. This book can make it easier for you to develop your entrepreneurial skills.

Written by leading experts in the field, Enterprising Nonprofits introduces you to key elements of social entrepreneurship and equips you to become more effective as a social entrepreneur. In each chapter, you will find concise explanations of core concepts, as well as practical tools for applying the concepts. You’ll also find exercises and action steps to guide you as you put the concepts and tools into practice. Throughout the book, you’ll learn from the experiences of successful social entrepreneurs ranging from Bill Strickland, head of the Manchester Craftsmen’s Guild in Pittsburgh, to Muhammed Yunus, founder of the Grameen Bank in Bangladesh. You’ll also uncover the strategies of some of today’s most enterprising nonprofits and determine their relevance to your organization.

In addition to contributions from the three lead authors, you’ll benefit from advice offered by some of the best and brightest thinkers in the field, including:

• Bruce Hopkins, Polsinelli, Shalton & White
• Rob Johnston, Peter F. Drucker Foundation for Nonprofit Management
• Jerry Kitzi, Social Venture Partners of Greater Kansas City
• Kristin Majeska, Common Good: Investments in Nonprofit Solutions
• Tom McLaughlin, BDO Seidman, LLP
• Jeanne Rooney, UMB Bank Nonprofit Financial & Advisory Services

Whether you are a nonprofit CEO, board member, staff member, or volunteer, Enterprising Nonprofits will open the door to new opportunities for you and your nonprofit organization. The more you use the skills described in this book, the better you’ll get at them, and the more effective your organization will become.

From the Back Cover
A hands-on resource that shows nonprofits how to adopt entrepreneurial behaviors and techniques

The rising spirit of social entrepreneurship has created all kinds of new opportunities for nonprofit organizations. But at the same time, many are discovering more than their share of challenges as well. This essential book will help anyone in the field gain the necessary skills to meet these challenges. Written by the leading thinkers and practitioners in the field, Enterprising Nonprofits offers concise and engaging explanations of the most successful business tools being used by nonprofits today. The authors clearly describe all the concepts so you’ll be able to embrace the methods of social enterprise for your organization. With this book, you’ll learn how to use practical business techniques to dramatically improve the performance of your nonprofit.

Praise for Enterprising Nonprofits

"I can’t imagine a better team to bring powerful insights and practical guidance to social entrepreneurs. Readers will be inspired by the examples, and then they will roll up their sleeves to apply the many useful management tools in this engaging book."–Rosabeth Moss Kanter, Harvard Business School, Author of Evolve!: Succeeding in the Digital Culture of Tomorrow

"In one book, Enterprising Nonprofits does for social entrepreneurs what countless volumes have done for entrepreneurs in the business sector. A wonderful mixture of analysis, practical advice, and inspiration."–Paul Brest, President, William and Flora Hewlett Foundation

All of the royalties from this book will be used by the Ewing Marion Kauffman Foundation to support continuing work on social entrepreneurship.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Comprehensive and Quite Useful
By Cathy
I found this book to be extraordinarily helpful in outlining how nonprofits can adopt better practices towards creating more sustainable social entrepreneurial models. While my background is in the profit world, it helped me to recognize how my existing knoweldge could be adapted to social entreprenuership. I highly recommend this book. It is well-written, comprehensive in its topics and it contains very useful tips and "how to" material.

21 of 23 people found the following review helpful.
A Must Read for those in the Non-Profit Sector
By Tanya Springer
As a businessperson with an MBA, I readily identified with and agreed with the advice and strategies presented in this book. For people with a passion to help improve things in a not-so-perfect world, this book is a gift. It provides real life examples and turns theories into step-by-step directions. Each chapter makes good use of subheads and bullet points and ends with a concise summary. The authors have real-life experience working as social entreprenuers and it shows. I highly recommend this book.

11 of 17 people found the following review helpful.
Phenomenal resource
By A Customer
This book is destined to become a classic. It is full of such useful information. Not only is the content fantastic but the format is an outstanding feature of the book. I predict many will read it and all of those will value it and refer to it often. Thanks for providing us with such a comprehensive and easy to use resource.

See all 9 customer reviews...

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